Probably dating from about 1640, these two panels were painted by Jan Brueghel the Younger, the son of Jan Brueghel the Elder. The fact that they are exactly the same size suggests that they were part of a single work, together with other paintings, all based on the first chapters of the Book of Genesis. In terms of subject and composition, the general format is clearly derived from his father’s works, even though the quality is considerably lower, as can be seen, for example, in the ungainly, impossible position of Eve in the scene of the original sin.
From May 15 to 27, the Pinacoteca Ambrosiana in Milan hosts Art in Respect – A dialogue, a solo exhibition by artist and couturier Filippo Sorcinelli.
To celebrate Mother's Day, on Sunday 11 May the Pinacoteca Ambrosiana is offering free admission to all mothers accompanied by their children.
