In this painting, a sumptuously elegant drape is lifted to reveal a still life with musical instruments, with many symbolic meanings: on a table covered with a red cloth, the pattern of which is beautifully rendered, there is a spinet, on which an archlute and a musical score have been placed. In the middle ground, we see a violin with its bow and an apple, which creates a particular note of colour, and a mandora can be seen on the right. Scholars have pointed out how the instruments used are those required to perform a sonata for soloist and thorough-bass. It is also worth noting Baschenis’s technical skill in rendering the thin layer of dust on the mandora on the right. Dust shows that the instruments have not been used, suggesting the absence of music. The work thus acquires the significance of a vanitas, a reminder of the transience of life, and the silent instruments allude to the fleeting experience of our senses.
From May 15 to 27, the Pinacoteca Ambrosiana in Milan hosts Art in Respect – A dialogue, a solo exhibition by artist and couturier Filippo Sorcinelli.
To celebrate Mother's Day, on Sunday 11 May the Pinacoteca Ambrosiana is offering free admission to all mothers accompanied by their children.
