Ambrosiana

Alessandro Algardi (1595-1654), Allegory of Rome, (c) RMN – Grand Palais (musée du Louvre) / Michel Urtado

PORT ROYAL ET L’ITALIE

On 13 and 14 October, the Ambrosiana hosts the annual international conference of the Society of Friends of Port-Royal is held, organized with the support of the Faculty of Letters of the Sorbonne University, of the Center for Linguistic Studies and French Literatures (CELLF – UMR 8599), by the Center for the History of Medieval and Modern Societies (MéMo, University of Paris Nanterre), by the National Museum of Port-Royal des Champs and the Society for Seventeenth Century Studies.

The European horizons of Port-Royal seem resolutely turned towards Italy. In question, undoubtedly, the conflictual relationship that maintained with Rome both the abbey of Port-Royal and its surroundings, but also the religious and political movements of the 18th and 19th centuries who claimed Jansenism.
We could then be tempted not to consider the interactions, over the long term, of Port-Royal and Jansenism with the Peninsula only in doctrinal or, more occasionally, theological-political terms, what is more, in terms of the Roman center alone.
This conference would like to re-examine the report of Port-Royal and the Jansenist circles with Roman authority and Italian dimension of the Catholic Church, a report still largely unknown on many points, but also and above all to broaden the perspectives, by questioning the relationships of Port-Royal to Italy and of Italy to Port-Royal even in their spiritual, cultural and literary aspects. Without chronological, disciplinary or geographical limitation, it intends to shed light on the unique, complex but lasting relationship which united Italy with the abbey of Port-Royal and its relatives in the 17th century century, but also to Jansenist circles of the 18th century as well as to historians and emulators of Jansenism of the 19th and 20th centuries, both French and Italian.

PROGRAM

FRIDAY OCTOBER 13, 2023

Welcome
da parte della Société des Amis de Port-Royal

Introduction
OLIVIER ANDURAND — CLÉMENT VAN HAMME

10h20 — De l’Italie à Port-Royal

Les origines italiennes de la réforme de Port-Royal
DANIELLA KOSTROUN
Indiana University

La langue italienne chez Claude Lancelot
NORMA ROMANELLI
CNRS — Université Paris Cité

12h — De Port-Royal en Italie (XVIIIe s.)

Traduction et réception des ouvrages de Jacqueline Pascal en Italie
GIADA SILENZI
Università delgi Studi di Udine

Fortune de Le Tourneux en Italie
ÉRIC SUIRE
Université Bordeaux Montaigne

14h30 — Le cas de la Savoie (XVIIIe s.)

Traces du jansénisme dans les États de Savoie
FULVIO ACCARDI

Le jansénisme dans le Piémont-Savoie au siècle des Lumières. Une configuration politique de la spiritualité de Port-Royal ?
ELISABETTA LURGO
Membre associé de la Faculté de Théologie Catholique de l’Université de Strasbourg (UR4377)

15h45 — Le dialogue de l’art

Un Raphaël à Port-Royal
PHILIPPE LUEZ
Musée national de Port-Royal des Champs

« Ces beautés si propres à faire naître d’excellentes idées. » Philippe de Champaigne et la peinture italienne dans les Conférences de l’Académie royale
SADRINE LELY

SATURDAY OCTOBER 14, 2023

10h10 — L’art du dialogue

Bérulle et ses réseaux en Italie à la lumière de sa correspondance
BLANDINE DELAHAYE

L’abbé Clément et son réseau italien
EMMANUEL LACAM

11h30 — Antiromanisme et antijansénisme

Autour du cardinal Neri Corsini
ALBANE PIALOUX
Sorbonne Université

Un foyer italien de Port-Royal aujourd’hui : le CESPES
MARIA VITA ROMEO CESPES
Università di Catania

14h30 — Vies et survies italiennes de Port-Royal (XIXe s.)

Grégoire et Degola. De cœur et d’esprit
VALÉRIE GUITTIENNE- MÜRGER
Bibliothèque de la Société de Port-Royal

Les derniers sursauts du jansénisme à Naples, entre la République napolitaine et la Restauration
ANTONIO SALVATORE ROMANO
Pontificia Facoltà Teologica dell’Italia Meridionale

Les raisons du cœur chez Manzoni lecteur de Pascal
ELENA VALENTINA MAIOLINI
Università dell’Insubria — ELCI, Sorbonne Université

Conclusion
FRANCESCO DI DONATO
Università delgi Studi di Napoli Federico II

WHAT’S ON

OCTOBER 12: SPECIAL EVENING OPENING

Ambrosiana

OCTOBER 12: SPECIAL EVENING OPENING

From 18.00 to 19.30 (last admission) entrance to the Art Gallery and Crypt at the special price of €3.00

08/10/2025-08/10/2025
SPECIAL REDUCED TICKETS € 3 FOR STUDENTS

Ambrosiana

ARE YOU IN LOVE? NO I'M IN MILANO

Ambrosiana

ARE YOU IN LOVE? NO I'M IN MILANO

19/09/2025-14/10/2025
Exhibition
Natura morta<br>Jago and Caravaggio: two views on the transience of life

Pinacoteca

ONLINE COLLECTION

(158 online artworks)

Pietà (copy from Michelangelo), Leone Leoni
Portico in Ruins, Giovanni Migliara (1785-1837)
Washerwomen at the Canal, Emilio Gola (1851-1923)
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
The Kiss, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
Nautilus shell, Sconosciuto
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
Still Life with Fruit, Isaac Soreau (1604-1638)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
Saint John the Baptist, Gian Giacomo Caprotti
De divina proportione, Luca Pacioli (1445 circa – 1517)
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
llias picta, NA
Mary Magdalene, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
The School of Athens, Raffaello Sanzio (1483-1520)
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
The Blessed Soul, Anonimo lombardo (XVII secolo)
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
Burse, Artista dell’Italia centrale
Christ Resurrected, Marco Basaiti (1470-1530)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
Clock with astrolabe, Sconosciuto
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
Portrait of a Musician, Leonardo da Vinci (1452-1519)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
Adoration of the Magi, Tiziano Vecellio (1480-1576)
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
Mary Magdalene Penitent, Guido Reni (1575-1642)
Daggers with sheath (eared sfondagiaco dagger), Milanese Gunsmiths
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
Mercury and Argus, Anonimo genovese (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)
Orrery, Sconosciuto
The Adoration of the Magi, Andrea Schiavone (1510-1563)
The Damned Soul, Anonimo lombardo (XVII secolo)
The Holy Family, Carlo Francesco Nuvolone (1609-1661)
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
The Ambrosian Virgil of Francesco Petrarca, NA
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
Seascape, Paul Bril (1554-1626)
Still Life with Fruit, Isaac Soreau (1604-1638)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
Naturalis Historia, Plinio il Vecchio (23-79 dC)
Locked out of school, Emilio Longoni (1859-1932)
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Armillary sphere, NA
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
Kids and Lambs, Francesco Londonio (1723-1783)
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
Self Portrait, Bertel Thorvaldsen (1770-1844)
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
Dantesque window, Giuseppe Bertini (1825-1898)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
Man in Armour, Tiziano Vecellio (1480-1576)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
Figured casket, Scultore lombardo
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
The Adoration of the Magi, Pier Francesco Mazzucchelli also known as Morazzone (1571-1626)
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
Flowers and Roses, Gaetano Previati (1852-1920)
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
Maternity, Mosè Bianchi (1840-1904)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
Napoleon Bonaparte’s gloves, NA
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
Original Sin, Jan II Brueghel il Giovane (1601-1678)
Male portrait, Hans Muelich (1516-1573)
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
Allegorical Female Figure, Giovanni Serodine (1600-1631)
Laocoon (copy of the Vatican original), Leone Leoni
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
Latin astrolabe, Anonymous
Susanna at her Bath, Carlo Francesco Nuvolone (1609-1661)
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
Self Portrait, Antonio Canova (1757-1822)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
Noctes Atticae, Aulo Gellio
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
Plato, Giovanni Antonio Piatti (1447-1480)
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)