Ambrosiana

Envisioning and representing Africa

Each of the remarkably diverse traditions that compose the complex mosaic of African cultures has elaborated, over the centuries, its own forms, spaces and modalities of self-representation, written and unwritten.

In this regard, taking as its theme autobiography in tandem with biography, the V Dies Academicus of the Ambrosian Academy’s Classis Africana aims to explore self-writing in its myriad forms and modalities, from memoir, confession, journal, travel writing, letters and diary to semi-autobiographical fiction, interviews, visual arts and fashion.

Self-writing allows subjects to relate and, above all, to invent themselves across diverse circumstances and life experiences. Biography, which may come to us also via a range of media–oral narrative, written texts, documentary film, graphic and musical arts–brings into play multiple perspectives on its subject, developed retrospectively and perhaps from a distance, adumbrating and contextualizing more deliberately and sometimes projecting its subject as the very emblem of an historical time and place.

What are the pleasures of autobiography and biography for readers? Who are their readers, listeners or spectators? Can we identify historical moments in which these forms have greater or lesser appeal as narratives of an individual life or as ethnographic accounts? Is either tendency better? Are readings of African autobiographies as “ethnographic” problematic? Taking into account formal properties, as well as the challenges and possibilities of diverse media and genres, the study of autobiography and biography allows us to traverse centuries, ethnicities, states, languages and cultures, enabling an understanding of the intimate relationship of varied geo-political and historical contexts and the arts of representation.

PROGRAM

Friday, 10th February 2023

4.30 pm New Academicians’ appointment and official opening of the Dies Academicus

5.00 pm
Session I – Autobiographies (Chair: Eileen Julien and Mena B. Lafkioui)

Tassadit Yacine (Ecole des hautes études en sciences sociales – Paris), Féminité, modes de résistances et subjectivité dans le monde kabyle (XIX-XXème siècle), en Algérie

Emanuele Marcello Ciampini (Università Ca’ Foscari – Venice), On the Egyptian (pharaonic) autobiographies as a literary genre

Emanuela Trevisan Semi (Università Ca’ Foscari – Venice), Letters as autobiography among the Beta Israel, the case of Taamrat Emmanuel and Tadesse Yacov, uncle and nephew in the resistance against Italian occupation. (online)

Saturday, 11th February 2023

9.30 am
Session II – Biographies (Chairs Mena B. Lafkioui)

Nafisa Valieva (Collège de France – Paris), Reading of the ‘Life of Lālibalā’ (Gadla Lālibalā) as a biography and a portrait of Ethiopian society

Annunziata Di Rienzo (Sapienza Università – Rome), “Perfect in all virtue”. Life and Encomium of John Colobos: monastic life and cultural crossroads at Sketis

Mohamed Meouak (Universidad de Cádiz), Résultats préliminaires d’une enquête sur les Wafayāt d’Aḥmad b. Yaḥyā al-Wanšarīsī (mort en 1508): un recueil de notices nécrologiques/biographiques contenant des matériaux anthroponymiques et toponymiques berbères

Mena B. Lafkioui (Ecole des hautes études en sciences sociales – Centre national de recherche scientifique – Paris), Abdelkrim. A never-ending biographical narrative of a unique Amazigh leader

2.45 pm
Session III – Film biography (Chairs Eileen Julien)

Introductiory remarks by Samba Gadjigo (Mt. Holyoke College, Massachusetts, USA, author of Ousmane Sembène: A Revolutionary Artist), and

Eileen Julien (Indiana University, USA) La noire de… (Black Girl) [1966], Screening

Sembène [2016], Screening

followed by: Q & A session

5.50 pm
Conclusion and greetings

Lectures of the two days will be in English, French and Italian

Free admission

WHAT’S ON

PINACOTECA AND CRYPT: AUGUST OPENING HOURS

Pinacoteca

Reading room: summer closure

Biblioteca

Reading room: summer closure

Reading room closed from July 21 to August 31 included

08/07/2025
NEWS
A NEW LAYOUT FOR THE FLEMISH MASTERS ROOM

Pinacoteca

Natura morta<br>Jago and Caravaggio: two views on the transience of life

Pinacoteca

ONLINE COLLECTION

(158 online artworks)

Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
Still Life with Fruit, Isaac Soreau (1604-1638)
Self Portrait, Bertel Thorvaldsen (1770-1844)
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
The Blessed Soul, Anonimo lombardo (XVII secolo)
De divina proportione, Luca Pacioli (1445 circa – 1517)
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
The Ambrosian Virgil of Francesco Petrarca, NA
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
Latin astrolabe, Anonymous
The School of Athens, Raffaello Sanzio (1483-1520)
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
Portrait of a Musician, Leonardo da Vinci (1452-1519)
Christ Resurrected, Marco Basaiti (1470-1530)
The Damned Soul, Anonimo lombardo (XVII secolo)
llias picta, NA
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
Kids and Lambs, Francesco Londonio (1723-1783)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
Armillary sphere, NA
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Figured casket, Scultore lombardo
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
Naturalis Historia, Plinio il Vecchio (23-79 dC)
Mary Magdalene Penitent, Guido Reni (1575-1642)
Maternity, Mosè Bianchi (1840-1904)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)
Locked out of school, Emilio Longoni (1859-1932)
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
Seascape, Paul Bril (1554-1626)
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
Orrery, Sconosciuto
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
Portico in Ruins, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
The Holy Family, Carlo Francesco Nuvolone (1609-1661)
Original Sin, Jan II Brueghel il Giovane (1601-1678)
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
Burse, Artista dell’Italia centrale
Saint John the Baptist, Gian Giacomo Caprotti
Flowers and Roses, Gaetano Previati (1852-1920)
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
Male portrait, Hans Muelich (1516-1573)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
Nautilus shell, Sconosciuto
Allegorical Female Figure, Giovanni Serodine (1600-1631)
Napoleon Bonaparte’s gloves, NA
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
Adoration of the Magi, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
Dantesque window, Giuseppe Bertini (1825-1898)
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)
Pietà (copy from Michelangelo), Leone Leoni
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
The Adoration of the Magi, Andrea Schiavone (1510-1563)
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
Washerwomen at the Canal, Emilio Gola (1851-1923)
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
Still Life with Fruit, Isaac Soreau (1604-1638)
Laocoon (copy of the Vatican original), Leone Leoni
Plato, Giovanni Antonio Piatti (1447-1480)
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
Susanna at her Bath, Carlo Francesco Nuvolone (1609-1661)
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
The Kiss, Francesco Hayez (1791-1882)
Clock with astrolabe, Sconosciuto
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
Self Portrait, Antonio Canova (1757-1822)
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
Daggers with sheath (eared sfondagiaco dagger), Milanese Gunsmiths
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
Mary Magdalene, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
The Adoration of the Magi, Pier Francesco Mazzucchelli also known as Morazzone (1571-1626)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
Man in Armour, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
Noctes Atticae, Aulo Gellio
Mercury and Argus, Anonimo genovese (XVII secolo)
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)