Ambrosiana

Carlo Mattioli
Dal cestino del Caravaggio
1968
Olio su tela, 40×50 cm

MATTIOLI/CARAVAGGIO.
THE LIGHTFUL FRUIT

The exhibition features twenty oil works by Carlo Mattioli, one of the Italian masters of twentieth century art, which interact with Caravaggio’s Basket of Fruit

The exhibition, entitled Mattioli / Caravaggio. The lightful fruit, conceived and organized by the Carlo Mattioli Foundation of Parma, presents twenty oil paintings that promote knowledge of the work and creative process of the Emilian painter through the profound dialogue with the masterpiece by Caravaggio.

The courage to confront an absolute master like Caravaggio and one of his most iconic works lies at the origin of a cycle of paintings and drawings that Mattioli wanted to present at the 1968 Venice Biennale, but which remained visible only on the day of the inauguration, due to the social and political contest that developed in that year and which also involved sectors such as culture and art. The Baskets of Caravaggio by Carlo Mattioli thus returned to the silence of the studio in which they were born.

The exhibition itinerary, divided into three thematic areas, is proposed as a narrative that develops through the contemporary suggestions of Mattioli.

The analytical theme and the creative process are set up in the first two rooms within seven showcases that offer a suggestive vision of the materials used by the painter. The construction theme is concentrated in the third room in direct dialogue with Caravaggio’s Canestra and is obtained from an evocative setting based on the half-light of the room. The conceptual theme, in the fourth room, proposes the vision of the latest works relating to the Canestra and, slightly apart, a video section, which narrates the evolution of Mattioli’s exploratory process.

Mattioli tackles the Ambrosian genre and model remaining in a personal limbo, suspended between a figuration that will never be complete and an abstraction that cannot be completely abandoned. The relationship with the model becomes a long filtered study with the image of a cluster of boxes and leaves resting on a perch in his studio.

Mattioli approaches the seventeenth-century model, declining it first in a profound study linked to volume and light, then enlarging the details, with the basket becoming the fulcrum around which all his research revolves.

The title, The lightful fruit, aims to play on the double vision and perception of the light that illuminates the fruit basket but through the filter of delicacy (delight), as if it were an intimate, closed and collected space.

In the film sequences that accompany the actual exhibition, the works are collected in an unreal space, a silvery space like a daguerreotype. This visual grammar aims to highlight the basic elements that the artist used, without placing the didactic details of the document at the center of the discourse. Quotes, shadows, lights, and an obsessive theme to decline his own language, beyond the work of Caravaggio.

The exhibition is accompanied by a catalog (published by Tacuino) with a text by Professor Claudio Strinati and a precious contribution by Roberto Tassi.

It is recommended to wear the surgical mask for the entire visit.

WHAT’S ON

READING ROOM CLOSURE FROM SEPTEMBER 24 TO 29

Ambrosiana

READING ROOM CLOSURE FROM SEPTEMBER 24 TO 29

Reading room closed from September 24 to 29 included

24/09/2025-29/09/2025
ARE YOU IN LOVE? NO I'M IN MILANO

Ambrosiana

ARE YOU IN LOVE? NO I'M IN MILANO

19/09/2025-14/10/2025
Exhibition
SEPTEMBER 28: SPECIAL EVENING OPENING

Ambrosiana

SEPTEMBER 28: SPECIAL EVENING OPENING

From 18.00 to 19.30 (last admission) entrance to the Art Gallery and Crypt at the special price of €3.00

28/09/2025-28/09/2025
Natura morta<br>Jago and Caravaggio: two views on the transience of life

Pinacoteca

ONLINE COLLECTION

(158 online artworks)

The Adoration of the Magi, Andrea Schiavone (1510-1563)
Pietà (copy from Michelangelo), Leone Leoni
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
Original Sin, Jan II Brueghel il Giovane (1601-1678)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
Nautilus shell, Sconosciuto
Laocoon (copy of the Vatican original), Leone Leoni
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
The School of Athens, Raffaello Sanzio (1483-1520)
Christ Resurrected, Marco Basaiti (1470-1530)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
Portico in Ruins, Giovanni Migliara (1785-1837)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
Orrery, Sconosciuto
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
Plato, Giovanni Antonio Piatti (1447-1480)
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Self Portrait, Bertel Thorvaldsen (1770-1844)
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
Adoration of the Magi, Tiziano Vecellio (1480-1576)
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
The Damned Soul, Anonimo lombardo (XVII secolo)
Daggers with sheath (eared sfondagiaco dagger), Milanese Gunsmiths
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
Susanna at her Bath, Carlo Francesco Nuvolone (1609-1661)
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
Saint John the Baptist, Gian Giacomo Caprotti
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
De divina proportione, Luca Pacioli (1445 circa – 1517)
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
Locked out of school, Emilio Longoni (1859-1932)
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
Naturalis Historia, Plinio il Vecchio (23-79 dC)
Washerwomen at the Canal, Emilio Gola (1851-1923)
Mercury and Argus, Anonimo genovese (XVII secolo)
Latin astrolabe, Anonymous
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
Male portrait, Hans Muelich (1516-1573)
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
Portrait of a Musician, Leonardo da Vinci (1452-1519)
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
Flowers and Roses, Gaetano Previati (1852-1920)
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
The Adoration of the Magi, Pier Francesco Mazzucchelli also known as Morazzone (1571-1626)
The Kiss, Francesco Hayez (1791-1882)
llias picta, NA
Clock with astrolabe, Sconosciuto
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
Mary Magdalene Penitent, Guido Reni (1575-1642)
Kids and Lambs, Francesco Londonio (1723-1783)
The Ambrosian Virgil of Francesco Petrarca, NA
The Holy Family, Carlo Francesco Nuvolone (1609-1661)
Armillary sphere, NA
Allegorical Female Figure, Giovanni Serodine (1600-1631)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
Figured casket, Scultore lombardo
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
Noctes Atticae, Aulo Gellio
Still Life with Fruit, Isaac Soreau (1604-1638)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Still Life with Fruit, Isaac Soreau (1604-1638)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
Napoleon Bonaparte’s gloves, NA
Man in Armour, Tiziano Vecellio (1480-1576)
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
The Blessed Soul, Anonimo lombardo (XVII secolo)
Self Portrait, Antonio Canova (1757-1822)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
Mary Magdalene, Tiziano Vecellio (1480-1576)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
Maternity, Mosè Bianchi (1840-1904)
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
Burse, Artista dell’Italia centrale
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
Dantesque window, Giuseppe Bertini (1825-1898)
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
Seascape, Paul Bril (1554-1626)
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)