Ambrosiana

Carlo Mattioli
Dal cestino del Caravaggio
1968
Olio su tela, 40×50 cm

MATTIOLI/CARAVAGGIO.
THE LIGHTFUL FRUIT

The exhibition features twenty oil works by Carlo Mattioli, one of the Italian masters of twentieth century art, which interact with Caravaggio’s Basket of Fruit

The exhibition, entitled Mattioli / Caravaggio. The lightful fruit, conceived and organized by the Carlo Mattioli Foundation of Parma, presents twenty oil paintings that promote knowledge of the work and creative process of the Emilian painter through the profound dialogue with the masterpiece by Caravaggio.

The courage to confront an absolute master like Caravaggio and one of his most iconic works lies at the origin of a cycle of paintings and drawings that Mattioli wanted to present at the 1968 Venice Biennale, but which remained visible only on the day of the inauguration, due to the social and political contest that developed in that year and which also involved sectors such as culture and art. The Baskets of Caravaggio by Carlo Mattioli thus returned to the silence of the studio in which they were born.

The exhibition itinerary, divided into three thematic areas, is proposed as a narrative that develops through the contemporary suggestions of Mattioli.

The analytical theme and the creative process are set up in the first two rooms within seven showcases that offer a suggestive vision of the materials used by the painter. The construction theme is concentrated in the third room in direct dialogue with Caravaggio’s Canestra and is obtained from an evocative setting based on the half-light of the room. The conceptual theme, in the fourth room, proposes the vision of the latest works relating to the Canestra and, slightly apart, a video section, which narrates the evolution of Mattioli’s exploratory process.

Mattioli tackles the Ambrosian genre and model remaining in a personal limbo, suspended between a figuration that will never be complete and an abstraction that cannot be completely abandoned. The relationship with the model becomes a long filtered study with the image of a cluster of boxes and leaves resting on a perch in his studio.

Mattioli approaches the seventeenth-century model, declining it first in a profound study linked to volume and light, then enlarging the details, with the basket becoming the fulcrum around which all his research revolves.

The title, The lightful fruit, aims to play on the double vision and perception of the light that illuminates the fruit basket but through the filter of delicacy (delight), as if it were an intimate, closed and collected space.

In the film sequences that accompany the actual exhibition, the works are collected in an unreal space, a silvery space like a daguerreotype. This visual grammar aims to highlight the basic elements that the artist used, without placing the didactic details of the document at the center of the discourse. Quotes, shadows, lights, and an obsessive theme to decline his own language, beyond the work of Caravaggio.

The exhibition is accompanied by a catalog (published by Tacuino) with a text by Professor Claudio Strinati and a precious contribution by Roberto Tassi.

It is recommended to wear the surgical mask for the entire visit.

WHAT’S ON

ART IN RESPECT - A DIALOGUE

Ambrosiana

ART IN RESPECT - A DIALOGUE

From May 15 to 27, the Pinacoteca Ambrosiana in Milan hosts Art in Respect – A dialogue, a solo exhibition by artist and couturier Filippo Sorcinelli.

15/05/2025-27/05/2025
Exhibition
MOTHER'S DAY

Ambrosiana

MOTHER'S DAY

To celebrate Mother's Day, on Sunday 11 May the Pinacoteca Ambrosiana is offering free admission to all mothers accompanied by their children.

11/05/2025-11/05/2025
MOTHER'S DAY CONCERT

Pinacoteca

MOTHER'S DAY CONCERT

11/05/2025-11/05/2025
Natura morta<br>Jago and Caravaggio: two views on the transience of life

Pinacoteca

JUBILEE 2025 – XVII CENTENARY OF THE COUNCIL OF NICAEA

Pinacoteca

ONLINE COLLECTION

(158 online artworks)

The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Maternity, Mosè Bianchi (1840-1904)
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
The Adoration of the Magi, Pier Francesco Mazzucchelli also known as Morazzone (1571-1626)
The Kiss, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Original Sin, Jan II Brueghel il Giovane (1601-1678)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
The Blessed Soul, Anonimo lombardo (XVII secolo)
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
Christ Resurrected, Marco Basaiti (1470-1530)
Napoleon Bonaparte’s gloves, NA
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
Allegorical Female Figure, Giovanni Serodine (1600-1631)
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
The Holy Family, Carlo Francesco Nuvolone (1609-1661)
Dantesque window, Giuseppe Bertini (1825-1898)
Saint John the Baptist, Gian Giacomo Caprotti
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
The Adoration of the Magi, Andrea Schiavone (1510-1563)
The Damned Soul, Anonimo lombardo (XVII secolo)
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
Noctes Atticae, Aulo Gellio
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
Figured casket, Scultore lombardo
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
Portico in Ruins, Giovanni Migliara (1785-1837)
Clock with astrolabe, Sconosciuto
Susanna at her Bath, Carlo Francesco Nuvolone (1609-1661)
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
Mary Magdalene, Tiziano Vecellio (1480-1576)
Mercury and Argus, Anonimo genovese (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
Laocoon (copy of the Vatican original), Leone Leoni
Nautilus shell, Sconosciuto
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
Adoration of the Magi, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
Burse, Artista dell’Italia centrale
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)
Still Life with Fruit, Isaac Soreau (1604-1638)
The School of Athens, Raffaello Sanzio (1483-1520)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
Armillary sphere, NA
Self Portrait, Antonio Canova (1757-1822)
Washerwomen at the Canal, Emilio Gola (1851-1923)
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
Man in Armour, Tiziano Vecellio (1480-1576)
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
llias picta, NA
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
Self Portrait, Bertel Thorvaldsen (1770-1844)
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
Locked out of school, Emilio Longoni (1859-1932)
Mary Magdalene Penitent, Guido Reni (1575-1642)
Male portrait, Hans Muelich (1516-1573)
Still Life with Fruit, Isaac Soreau (1604-1638)
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
Latin astrolabe, Anonymous
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
Plato, Giovanni Antonio Piatti (1447-1480)
Naturalis Historia, Plinio il Vecchio (23-79 dC)
De divina proportione, Luca Pacioli (1445 circa – 1517)
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Kids and Lambs, Francesco Londonio (1723-1783)
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
Seascape, Paul Bril (1554-1626)
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
Daggers with sheath (eared sfondagiaco dagger), Milanese Gunsmiths
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
Orrery, Sconosciuto
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
Pietà (copy from Michelangelo), Leone Leoni
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
Portrait of a Musician, Leonardo da Vinci (1452-1519)
The Ambrosian Virgil of Francesco Petrarca, NA
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
Flowers and Roses, Gaetano Previati (1852-1920)
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)