Ambrosiana

Alessandro Algardi (1595-1654), Allegory of Rome, (c) RMN – Grand Palais (musée du Louvre) / Michel Urtado

PORT ROYAL ET L’ITALIE

On 13 and 14 October, the Ambrosiana hosts the annual international conference of the Society of Friends of Port-Royal is held, organized with the support of the Faculty of Letters of the Sorbonne University, of the Center for Linguistic Studies and French Literatures (CELLF – UMR 8599), by the Center for the History of Medieval and Modern Societies (MéMo, University of Paris Nanterre), by the National Museum of Port-Royal des Champs and the Society for Seventeenth Century Studies.

The European horizons of Port-Royal seem resolutely turned towards Italy. In question, undoubtedly, the conflictual relationship that maintained with Rome both the abbey of Port-Royal and its surroundings, but also the religious and political movements of the 18th and 19th centuries who claimed Jansenism.
We could then be tempted not to consider the interactions, over the long term, of Port-Royal and Jansenism with the Peninsula only in doctrinal or, more occasionally, theological-political terms, what is more, in terms of the Roman center alone.
This conference would like to re-examine the report of Port-Royal and the Jansenist circles with Roman authority and Italian dimension of the Catholic Church, a report still largely unknown on many points, but also and above all to broaden the perspectives, by questioning the relationships of Port-Royal to Italy and of Italy to Port-Royal even in their spiritual, cultural and literary aspects. Without chronological, disciplinary or geographical limitation, it intends to shed light on the unique, complex but lasting relationship which united Italy with the abbey of Port-Royal and its relatives in the 17th century century, but also to Jansenist circles of the 18th century as well as to historians and emulators of Jansenism of the 19th and 20th centuries, both French and Italian.

PROGRAM

FRIDAY OCTOBER 13, 2023

Welcome
da parte della Société des Amis de Port-Royal

Introduction
OLIVIER ANDURAND — CLÉMENT VAN HAMME

10h20 — De l’Italie à Port-Royal

Les origines italiennes de la réforme de Port-Royal
DANIELLA KOSTROUN
Indiana University

La langue italienne chez Claude Lancelot
NORMA ROMANELLI
CNRS — Université Paris Cité

12h — De Port-Royal en Italie (XVIIIe s.)

Traduction et réception des ouvrages de Jacqueline Pascal en Italie
GIADA SILENZI
Università delgi Studi di Udine

Fortune de Le Tourneux en Italie
ÉRIC SUIRE
Université Bordeaux Montaigne

14h30 — Le cas de la Savoie (XVIIIe s.)

Traces du jansénisme dans les États de Savoie
FULVIO ACCARDI

Le jansénisme dans le Piémont-Savoie au siècle des Lumières. Une configuration politique de la spiritualité de Port-Royal ?
ELISABETTA LURGO
Membre associé de la Faculté de Théologie Catholique de l’Université de Strasbourg (UR4377)

15h45 — Le dialogue de l’art

Un Raphaël à Port-Royal
PHILIPPE LUEZ
Musée national de Port-Royal des Champs

« Ces beautés si propres à faire naître d’excellentes idées. » Philippe de Champaigne et la peinture italienne dans les Conférences de l’Académie royale
SADRINE LELY

SATURDAY OCTOBER 14, 2023

10h10 — L’art du dialogue

Bérulle et ses réseaux en Italie à la lumière de sa correspondance
BLANDINE DELAHAYE

L’abbé Clément et son réseau italien
EMMANUEL LACAM

11h30 — Antiromanisme et antijansénisme

Autour du cardinal Neri Corsini
ALBANE PIALOUX
Sorbonne Université

Un foyer italien de Port-Royal aujourd’hui : le CESPES
MARIA VITA ROMEO CESPES
Università di Catania

14h30 — Vies et survies italiennes de Port-Royal (XIXe s.)

Grégoire et Degola. De cœur et d’esprit
VALÉRIE GUITTIENNE- MÜRGER
Bibliothèque de la Société de Port-Royal

Les derniers sursauts du jansénisme à Naples, entre la République napolitaine et la Restauration
ANTONIO SALVATORE ROMANO
Pontificia Facoltà Teologica dell’Italia Meridionale

Les raisons du cœur chez Manzoni lecteur de Pascal
ELENA VALENTINA MAIOLINI
Università dell’Insubria — ELCI, Sorbonne Université

Conclusion
FRANCESCO DI DONATO
Università delgi Studi di Napoli Federico II

WHAT’S ON

READING ROOM CLOSURE FROM SEPTEMBER 24 TO 29

Ambrosiana

READING ROOM CLOSURE FROM SEPTEMBER 24 TO 29

Reading room closed from September 24 to 29 included

24/09/2025-29/09/2025
ARE YOU IN LOVE? NO I'M IN MILANO

Ambrosiana

ARE YOU IN LOVE? NO I'M IN MILANO

19/09/2025-14/10/2025
Exhibition
SEPTEMBER 28: SPECIAL EVENING OPENING

Ambrosiana

SEPTEMBER 28: SPECIAL EVENING OPENING

From 18.00 to 19.30 (last admission) entrance to the Art Gallery and Crypt at the special price of €3.00

28/09/2025-28/09/2025
Natura morta<br>Jago and Caravaggio: two views on the transience of life

Pinacoteca

ONLINE COLLECTION

(158 online artworks)

Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
Laocoon (copy of the Vatican original), Leone Leoni
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
Armillary sphere, NA
Nautilus shell, Sconosciuto
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
Self Portrait, Antonio Canova (1757-1822)
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
De divina proportione, Luca Pacioli (1445 circa – 1517)
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
Original Sin, Jan II Brueghel il Giovane (1601-1678)
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
The School of Athens, Raffaello Sanzio (1483-1520)
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
Seascape, Paul Bril (1554-1626)
Clock with astrolabe, Sconosciuto
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
Noctes Atticae, Aulo Gellio
Saint John the Baptist, Gian Giacomo Caprotti
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
The Holy Family, Carlo Francesco Nuvolone (1609-1661)
Figured casket, Scultore lombardo
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
Male portrait, Hans Muelich (1516-1573)
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
The Blessed Soul, Anonimo lombardo (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
The Damned Soul, Anonimo lombardo (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
The Ambrosian Virgil of Francesco Petrarca, NA
Plato, Giovanni Antonio Piatti (1447-1480)
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
Dantesque window, Giuseppe Bertini (1825-1898)
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
Adoration of the Magi, Tiziano Vecellio (1480-1576)
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
Orrery, Sconosciuto
Allegorical Female Figure, Giovanni Serodine (1600-1631)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
The Kiss, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
Burse, Artista dell’Italia centrale
The Adoration of the Magi, Andrea Schiavone (1510-1563)
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
Still Life with Fruit, Isaac Soreau (1604-1638)
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
Mercury and Argus, Anonimo genovese (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
Naturalis Historia, Plinio il Vecchio (23-79 dC)
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
Flowers and Roses, Gaetano Previati (1852-1920)
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
Latin astrolabe, Anonymous
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
Locked out of school, Emilio Longoni (1859-1932)
Daggers with sheath (eared sfondagiaco dagger), Milanese Gunsmiths
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
The Adoration of the Magi, Pier Francesco Mazzucchelli also known as Morazzone (1571-1626)
Mary Magdalene Penitent, Guido Reni (1575-1642)
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
Portico in Ruins, Giovanni Migliara (1785-1837)
Napoleon Bonaparte’s gloves, NA
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Man in Armour, Tiziano Vecellio (1480-1576)
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
llias picta, NA
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
Portrait of a Musician, Leonardo da Vinci (1452-1519)
Self Portrait, Bertel Thorvaldsen (1770-1844)
Kids and Lambs, Francesco Londonio (1723-1783)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
Christ Resurrected, Marco Basaiti (1470-1530)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
Still Life with Fruit, Isaac Soreau (1604-1638)
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
Susanna at her Bath, Carlo Francesco Nuvolone (1609-1661)
Washerwomen at the Canal, Emilio Gola (1851-1923)
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
Mary Magdalene, Tiziano Vecellio (1480-1576)
Maternity, Mosè Bianchi (1840-1904)
Pietà (copy from Michelangelo), Leone Leoni
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)