Ambrosiana

Angelo Pietrasanta, Portrait of Dante, detail
Oil on canvas

THE DIVINE COMEDY AT THE AMBROSIANA

EXHIBITION EXTENDED UNTIL OCTOBER 3, 2021.
On the occasion of the celebrations for the seventh centenary of Dante Alighieri’s death, the Pinacoteca Ambrosiana in Milan hosts the exhibition The Dive Comedy at the Ambrosiana.

The exhibition, curated by the College of Doctors of the Ambrosiana, presents a precious selection of Divine Comedies of the Library collections that covers a chronological period from the fourteenth to the twentieth century.

The exhibition itinerary ideally opens with the famous illuminated manuscript of the Divine Comedy – dating back to the end of the 14th century, known as Chiose Ambrosiane – stolen for its value by Napoleon in 1796 and then returned to Milan after the Congress of Vienna. At its side is on display the Commentary on the Comedy, from the fifteenth century, written by Pietro Alighieri, son of Dante, born from the marriage with Gemma Donati. In this Comment, the author aims at harmonizing Dante’s work with the masterpieces of classical literature and with the writings of the Fathers of the Church and the Scholastics.

Among the incunabula stands the precious edition of the Poem, made in Venice in 1491, with Comment by Cristoforo Landino, inside which there are 100 wood engravings attributed to Mantegna. Landino’s comment, which was widely distributed, had an exegetical function of the aimed especially at the glorification of the city of Florence.

In the section of the sixteenth century one can admire the famous print by Aldo Manuzio of 1502, edited by Bembo, bearing one of the first examples of italics, by Francesco Griffo from Bologna.
Among the eighteenth-century editions we note that of Antonio Zatta, of 1757-1758, dedicated to Elisabetta Petrowna empress of Russia and richly illustrated by excellent engravings, while for the nineteenth century, the very rare one of 1809, for the types of Luigi Mussi, with Bodonian type characters.

The exhibition ends with the sumptuous print of the Poem – Florence, all’Insegna dell’Ancora, 1817-1819 – dedicated to Antonio Canova, bearing 125 large woodcuts.

For the occasion – in front of the suggestive ‘Dante stained glass window’ made by Giuseppe Bertini in 1851 for the Universal Exhibition in London – a space will be set up dedicated to the vision of the tables of the Comedy prepared, over a period of twenty years (1919-1939), by Amos Nattini at the suggestion and invitation of Gabriele D’Annunzio.

SAFETY RULES TO ACCESS THE PINACOTECA
Only those who wear their own mask will be admitted (surgical or FFP2 without valve) and they must wear it throughout the visit.
PLEASE NOTE: FROM AUGUST 6 VISITORS WILL HAVE TO SHOW THE GREEN PASS TO BE ADMITTED, ACCORDING TO THE LATEST GOVERNMENT PROVISIONS
At the entrance, visitors will be measured body temperature with a termoscanner and they must cleanse their hands with a special sanitizing gel.
At the entrance hall and in the exhibition halls, visitors must respect the distance of at least 1.5 meters from other people and follow the safety regulations displayed in the hall.

WHAT’S ON

Reading room: summer closure

Biblioteca

Reading room: summer closure

Reading room closed from July 21 to August 31 included

08/07/2025
NEWS
A NEW LAYOUT FOR THE FLEMISH MASTERS ROOM

Pinacoteca

Natura morta<br>Jago and Caravaggio: two views on the transience of life

Pinacoteca

ONLINE COLLECTION

(158 online artworks)

Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
Still Life with Fruit, Isaac Soreau (1604-1638)
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
Laocoon (copy of the Vatican original), Leone Leoni
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
Self Portrait, Antonio Canova (1757-1822)
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
The Ambrosian Virgil of Francesco Petrarca, NA
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
The Adoration of the Magi, Andrea Schiavone (1510-1563)
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
The School of Athens, Raffaello Sanzio (1483-1520)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
De divina proportione, Luca Pacioli (1445 circa – 1517)
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
Man in Armour, Tiziano Vecellio (1480-1576)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
The Kiss, Francesco Hayez (1791-1882)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
Napoleon Bonaparte’s gloves, NA
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
Armillary sphere, NA
Adoration of the Magi, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
Portrait of a Musician, Leonardo da Vinci (1452-1519)
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
Saint John the Baptist, Gian Giacomo Caprotti
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
Naturalis Historia, Plinio il Vecchio (23-79 dC)
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
Portico in Ruins, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
The Holy Family, Carlo Francesco Nuvolone (1609-1661)
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
Kids and Lambs, Francesco Londonio (1723-1783)
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
Mary Magdalene, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
Burse, Artista dell’Italia centrale
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
Seascape, Paul Bril (1554-1626)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
Latin astrolabe, Anonymous
Christ Resurrected, Marco Basaiti (1470-1530)
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
The Damned Soul, Anonimo lombardo (XVII secolo)
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)
Dantesque window, Giuseppe Bertini (1825-1898)
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
Mercury and Argus, Anonimo genovese (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
Allegorical Female Figure, Giovanni Serodine (1600-1631)
Male portrait, Hans Muelich (1516-1573)
Pietà (copy from Michelangelo), Leone Leoni
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
Flowers and Roses, Gaetano Previati (1852-1920)
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
Nautilus shell, Sconosciuto
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
Plato, Giovanni Antonio Piatti (1447-1480)
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
Noctes Atticae, Aulo Gellio
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
Daggers with sheath (eared sfondagiaco dagger), Milanese Gunsmiths
llias picta, NA
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
Maternity, Mosè Bianchi (1840-1904)
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
Susanna at her Bath, Carlo Francesco Nuvolone (1609-1661)
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Clock with astrolabe, Sconosciuto
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
Self Portrait, Bertel Thorvaldsen (1770-1844)
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
The Adoration of the Magi, Pier Francesco Mazzucchelli also known as Morazzone (1571-1626)
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
Locked out of school, Emilio Longoni (1859-1932)
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
Figured casket, Scultore lombardo
Orrery, Sconosciuto
Original Sin, Jan II Brueghel il Giovane (1601-1678)
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
Mary Magdalene Penitent, Guido Reni (1575-1642)
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
Still Life with Fruit, Isaac Soreau (1604-1638)
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
Washerwomen at the Canal, Emilio Gola (1851-1923)
The Blessed Soul, Anonimo lombardo (XVII secolo)
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)