Ambrosiana

Angelo Pietrasanta, Portrait of Dante, detail
Oil on canvas

THE DIVINE COMEDY AT THE AMBROSIANA

EXHIBITION EXTENDED UNTIL OCTOBER 3, 2021.
On the occasion of the celebrations for the seventh centenary of Dante Alighieri’s death, the Pinacoteca Ambrosiana in Milan hosts the exhibition The Dive Comedy at the Ambrosiana.

The exhibition, curated by the College of Doctors of the Ambrosiana, presents a precious selection of Divine Comedies of the Library collections that covers a chronological period from the fourteenth to the twentieth century.

The exhibition itinerary ideally opens with the famous illuminated manuscript of the Divine Comedy – dating back to the end of the 14th century, known as Chiose Ambrosiane – stolen for its value by Napoleon in 1796 and then returned to Milan after the Congress of Vienna. At its side is on display the Commentary on the Comedy, from the fifteenth century, written by Pietro Alighieri, son of Dante, born from the marriage with Gemma Donati. In this Comment, the author aims at harmonizing Dante’s work with the masterpieces of classical literature and with the writings of the Fathers of the Church and the Scholastics.

Among the incunabula stands the precious edition of the Poem, made in Venice in 1491, with Comment by Cristoforo Landino, inside which there are 100 wood engravings attributed to Mantegna. Landino’s comment, which was widely distributed, had an exegetical function of the aimed especially at the glorification of the city of Florence.

In the section of the sixteenth century one can admire the famous print by Aldo Manuzio of 1502, edited by Bembo, bearing one of the first examples of italics, by Francesco Griffo from Bologna.
Among the eighteenth-century editions we note that of Antonio Zatta, of 1757-1758, dedicated to Elisabetta Petrowna empress of Russia and richly illustrated by excellent engravings, while for the nineteenth century, the very rare one of 1809, for the types of Luigi Mussi, with Bodonian type characters.

The exhibition ends with the sumptuous print of the Poem – Florence, all’Insegna dell’Ancora, 1817-1819 – dedicated to Antonio Canova, bearing 125 large woodcuts.

For the occasion – in front of the suggestive ‘Dante stained glass window’ made by Giuseppe Bertini in 1851 for the Universal Exhibition in London – a space will be set up dedicated to the vision of the tables of the Comedy prepared, over a period of twenty years (1919-1939), by Amos Nattini at the suggestion and invitation of Gabriele D’Annunzio.

SAFETY RULES TO ACCESS THE PINACOTECA
Only those who wear their own mask will be admitted (surgical or FFP2 without valve) and they must wear it throughout the visit.
PLEASE NOTE: FROM AUGUST 6 VISITORS WILL HAVE TO SHOW THE GREEN PASS TO BE ADMITTED, ACCORDING TO THE LATEST GOVERNMENT PROVISIONS
At the entrance, visitors will be measured body temperature with a termoscanner and they must cleanse their hands with a special sanitizing gel.
At the entrance hall and in the exhibition halls, visitors must respect the distance of at least 1.5 meters from other people and follow the safety regulations displayed in the hall.

WHAT’S ON

ROOM OF THE FLEMISH MASTERS CLOSED TO THE PUBLIC (ROOM 7)

Pinacoteca

ROOM OF THE FLEMISH MASTERS CLOSED TO THE PUBLIC (ROOM 7)

Room closed to the public for renovation from June 3 to 12

03/06/2025-12/06/2025
JUNE 1: SPECIAL EVENING OPENING

Ambrosiana

JUNE 1: SPECIAL EVENING OPENING

From 18.00 to 19.30 (last admission) entrance to the Art Gallery and Crypt at the special price of €3.00

01/06/2025-01/06/2025
ART IN RESPECT - A DIALOGUE

Ambrosiana

ART IN RESPECT - A DIALOGUE

Until June 24, the Pinacoteca Ambrosiana in Milan hosts Art in Respect – A dialogue, a solo exhibition by artist and couturier Filippo Sorcinelli.

15/05/2025-24/06/2025
Exhibition
Natura morta<br>Jago and Caravaggio: two views on the transience of life

Pinacoteca

JUBILEE 2025 – XVII CENTENARY OF THE COUNCIL OF NICAEA

Pinacoteca

ONLINE COLLECTION

(158 online artworks)

Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
Armillary sphere, NA
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
De divina proportione, Luca Pacioli (1445 circa – 1517)
Still Life with Fruit, Isaac Soreau (1604-1638)
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
Kids and Lambs, Francesco Londonio (1723-1783)
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
The Blessed Soul, Anonimo lombardo (XVII secolo)
Laocoon (copy of the Vatican original), Leone Leoni
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
Portico in Ruins, Giovanni Migliara (1785-1837)
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
Latin astrolabe, Anonymous
Self Portrait, Antonio Canova (1757-1822)
The Kiss, Francesco Hayez (1791-1882)
Male portrait, Hans Muelich (1516-1573)
Figured casket, Scultore lombardo
Flowers and Roses, Gaetano Previati (1852-1920)
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
The Damned Soul, Anonimo lombardo (XVII secolo)
Clock with astrolabe, Sconosciuto
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
Orrery, Sconosciuto
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
Napoleon Bonaparte’s gloves, NA
Portrait of a Musician, Leonardo da Vinci (1452-1519)
Susanna at her Bath, Carlo Francesco Nuvolone (1609-1661)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
Plato, Giovanni Antonio Piatti (1447-1480)
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
Christ Resurrected, Marco Basaiti (1470-1530)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Mary Magdalene Penitent, Guido Reni (1575-1642)
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
The Adoration of the Magi, Andrea Schiavone (1510-1563)
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
Adoration of the Magi, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
Self Portrait, Bertel Thorvaldsen (1770-1844)
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
The School of Athens, Raffaello Sanzio (1483-1520)
Mercury and Argus, Anonimo genovese (XVII secolo)
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
Maternity, Mosè Bianchi (1840-1904)
Burse, Artista dell’Italia centrale
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
Dantesque window, Giuseppe Bertini (1825-1898)
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
Locked out of school, Emilio Longoni (1859-1932)
Noctes Atticae, Aulo Gellio
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
The Ambrosian Virgil of Francesco Petrarca, NA
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)
The Adoration of the Magi, Pier Francesco Mazzucchelli also known as Morazzone (1571-1626)
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
Allegorical Female Figure, Giovanni Serodine (1600-1631)
Seascape, Paul Bril (1554-1626)
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
The Holy Family, Carlo Francesco Nuvolone (1609-1661)
Washerwomen at the Canal, Emilio Gola (1851-1923)
Daggers with sheath (eared sfondagiaco dagger), Milanese Gunsmiths
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
Naturalis Historia, Plinio il Vecchio (23-79 dC)
Man in Armour, Tiziano Vecellio (1480-1576)
Nautilus shell, Sconosciuto
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
Pietà (copy from Michelangelo), Leone Leoni
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
Still Life with Fruit, Isaac Soreau (1604-1638)
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
Original Sin, Jan II Brueghel il Giovane (1601-1678)
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
Saint John the Baptist, Gian Giacomo Caprotti
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
Mary Magdalene, Tiziano Vecellio (1480-1576)
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
llias picta, NA
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)