Ambrosiana

Who we are

The Veneranda Biblioteca Ambrosiana was founded on 7 September 1607 by Cardinal Federico Borromeo. His was the original idea, consisting in the promotion of human and Christian values ​​through science and culture in the service of the Catholic Church.
Starting from this inspiration, the Ambrosiana’s purposes are the training of the clergy, religious and laity, as well as spreading Christian culture and interreligious and intercultural dialogue, pursued in particular through the preservation, custody and enhancement of its Cultural Heritage (manuscripts, printed works, artworks, etc.).

The Adoration with Saint Roch
Gian Pietro Rizzoli
detto Giampietrino
1520-1530
tempera and oil on panel
150 × 120
(detail)

Who we are

The Veneranda Biblioteca Ambrosiana was founded on 7 September 1607 by Cardinal Federico Borromeo. His was the original idea, consisting in the promotion of human and Christian values ​​through science and culture in the service of the Catholic Church.
Starting from this inspiration, the Ambrosiana’s purposes are the training of the clergy, religious and laity, as well as spreading Christian culture and interreligious and intercultural dialogue, pursued in particular through the preservation, custody and enhancement of its Cultural Heritage (manuscripts, printed works, artworks, etc.).

OUR MISSION

MORE THAN 400 YEARS SPENT PURSUING A TASK THAT IS STILL RELEVANT

OUR MISSION

“Promoting the love of the True and Beautiful for the good of the people, the Church and society.” The words of the Archbishop of Milan, who is the Patron of the Ambrosiana and ultimately responsible for it, express the task of this ancient institution, embodied in the cultural and social context of our own time.

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PINACOTECA

The Pinacoteca Ambrosiana was established in April 1618, when Cardinal Federico Borromeo donated his collection of paintings…

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BIBLIOTECA

The Ambrosian Library, founded on 1607, was one of the earliest libraries to grant access to all who could read and write…

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ACCADEMIA

The purpose of the Accademia is to raise the Ambrosiana to the level of an Agora, a place devoted to fostering the dialogue…

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THE THREE SOULS OF THE AMBROSIANA

AMBROSIANA

A treasure chest containing a Library, an Art Gallery and an Academy: three complementary bodies aimed at promoting a love for literature, the arts, science and beauty.

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NOT JUST A LIBRARY, ART GALLERY AND ACADEMY: THE AMBROSIANA IS SO MUCH MORE...

THE OTHER FACES OF THE AMBROSIANA

The most magical and ancient places of Milan: the ancient Forum where Constantine, St. Ambrose, St.
Augustine and Theodosius walked, and the lower Church of Santo Sepolcro, built by the Crusaders… as
well as a colossal statue of St. Charles Borromeo on Lake Maggiore; a Museum-Home at the Sacro
Monte of Varese; a Foundation dedicated to the promotion of young artists: this is also the Ambrosiana!

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LODOVICO POGLIAGHI MUSEUM-HOME

Lodovico Pogliaghi (1857-1950) was one of the most significant Lombard artists to live in the nineteenth and twentieth centuries.

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SAN SEPOLCRO

The church of San Sepolcro was founded in 1030, when a Milanese moneyer named Rozzone built a church on the ancient Roman forum.

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THE COLOSSUS OF SAINT CHARLES IN ARONA

The Colossus of Saint Charles in Arona, which popular tradition has affectionately dubbed San Carlone, was created in the seventeenth century…

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MARCO MANTOVANI FOUNDATION

The Marco Mantovani Foundation seeks to preserve and enhance the works of the sculptor Marco Mantovani, as evidence of the life of an artist dedicated to sculpture and art.

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ROMAN FORUM

Between 1990 and 1992, archaeological excavations conducted underneath the ancient cellars of the Ambrosiana brought to light a portion of the pavement of the ancient Roman forum.

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THE COLLEGE OF FELLOWS

PRIESTS DEVOTED TO STUDY, RESEARCH AND RECEPTION

THE COLLEGE OF FELLOWS

The brilliant intuition of Federico Borromeo – offering the Milanese a place dedicated to the growth of the person in the love of truth and the experience of beauty, drew from the start on the work of valid and enthusiastic collaborators. This led to the foundation of the Collegio dei Dottori (College of Fellows). Since 1607 it has guided the development of the Ambrosiana and preserved its existence and its inspirational values, giving a face, mind and heart to a place intended for an encounter between cultures and the people who embody them.

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HOW THE AMBROSIANA WORKS

ADMINISTRATIVE ORGANS

Federico Borromeo’s intuition underlies the division of tasks between the two governing bodies of the Ambrosiana: the cultural role of the College of Fellows is supported by the Congregation of Conservators, appointed to ensure the stability of its holdings and the Ambrosiana’s administrative life.

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ADMINISTRATIVE ORGANS

WHAT’S ON

ROOM OF THE FLEMISH MASTERS CLOSED TO THE PUBLIC (ROOM 7)

Pinacoteca

ROOM OF THE FLEMISH MASTERS CLOSED TO THE PUBLIC (ROOM 7)

Room closed to the public for renovation from June 3 to 12

03/06/2025-12/06/2025
JUNE 1: SPECIAL EVENING OPENING

Ambrosiana

JUNE 1: SPECIAL EVENING OPENING

From 18.00 to 19.30 (last admission) entrance to the Art Gallery and Crypt at the special price of €3.00

01/06/2025-01/06/2025
ART IN RESPECT - A DIALOGUE

Ambrosiana

ART IN RESPECT - A DIALOGUE

Until June 24, the Pinacoteca Ambrosiana in Milan hosts Art in Respect – A dialogue, a solo exhibition by artist and couturier Filippo Sorcinelli.

15/05/2025-24/06/2025
Exhibition
Natura morta<br>Jago and Caravaggio: two views on the transience of life

Pinacoteca

JUBILEE 2025 – XVII CENTENARY OF THE COUNCIL OF NICAEA

Pinacoteca

ONLINE COLLECTION

(158 online artworks)

Male portrait, Hans Muelich (1516-1573)
Pietà (copy from Michelangelo), Leone Leoni
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
Man in Armour, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
Washerwomen at the Canal, Emilio Gola (1851-1923)
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
Orrery, Sconosciuto
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
Naturalis Historia, Plinio il Vecchio (23-79 dC)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
llias picta, NA
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
Portrait of a Musician, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
Christ Resurrected, Marco Basaiti (1470-1530)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
Daggers with sheath (eared sfondagiaco dagger), Milanese Gunsmiths
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
Mary Magdalene Penitent, Guido Reni (1575-1642)
The Ambrosian Virgil of Francesco Petrarca, NA
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
The Adoration of the Magi, Pier Francesco Mazzucchelli also known as Morazzone (1571-1626)
The School of Athens, Raffaello Sanzio (1483-1520)
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
Adoration of the Magi, Tiziano Vecellio (1480-1576)
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
Still Life with Fruit, Isaac Soreau (1604-1638)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
Self Portrait, Antonio Canova (1757-1822)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
Noctes Atticae, Aulo Gellio
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
Napoleon Bonaparte’s gloves, NA
The Kiss, Francesco Hayez (1791-1882)
Self Portrait, Bertel Thorvaldsen (1770-1844)
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
Maternity, Mosè Bianchi (1840-1904)
De divina proportione, Luca Pacioli (1445 circa – 1517)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
Figured casket, Scultore lombardo
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
Latin astrolabe, Anonymous
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
Saint John the Baptist, Gian Giacomo Caprotti
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
Plato, Giovanni Antonio Piatti (1447-1480)
The Adoration of the Magi, Andrea Schiavone (1510-1563)
Clock with astrolabe, Sconosciuto
Nautilus shell, Sconosciuto
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
Allegorical Female Figure, Giovanni Serodine (1600-1631)
Armillary sphere, NA
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
Dantesque window, Giuseppe Bertini (1825-1898)
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
Kids and Lambs, Francesco Londonio (1723-1783)
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
The Holy Family, Carlo Francesco Nuvolone (1609-1661)
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
Locked out of school, Emilio Longoni (1859-1932)
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
Original Sin, Jan II Brueghel il Giovane (1601-1678)
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
Portico in Ruins, Giovanni Migliara (1785-1837)
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
Seascape, Paul Bril (1554-1626)
Burse, Artista dell’Italia centrale
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
Flowers and Roses, Gaetano Previati (1852-1920)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
Mercury and Argus, Anonimo genovese (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
Still Life with Fruit, Isaac Soreau (1604-1638)
Mary Magdalene, Tiziano Vecellio (1480-1576)
The Blessed Soul, Anonimo lombardo (XVII secolo)
Susanna at her Bath, Carlo Francesco Nuvolone (1609-1661)
The Damned Soul, Anonimo lombardo (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
Laocoon (copy of the Vatican original), Leone Leoni