Ambrosiana

Who we are

The Veneranda Biblioteca Ambrosiana was founded on 7 September 1607 by Cardinal Federico Borromeo. His was the original idea, consisting in the promotion of human and Christian values ​​through science and culture in the service of the Catholic Church.
Starting from this inspiration, the Ambrosiana’s purposes are the training of the clergy, religious and laity, as well as spreading Christian culture and interreligious and intercultural dialogue, pursued in particular through the preservation, custody and enhancement of its Cultural Heritage (manuscripts, printed works, artworks, etc.).

Portrait of Giuseppina Negroni
Prati Morosini

Francesco Hayez
1853
oil on canvas
120 × 94 cm
(detail)

Who we are

The Veneranda Biblioteca Ambrosiana was founded on 7 September 1607 by Cardinal Federico Borromeo. His was the original idea, consisting in the promotion of human and Christian values ​​through science and culture in the service of the Catholic Church.
Starting from this inspiration, the Ambrosiana’s purposes are the training of the clergy, religious and laity, as well as spreading Christian culture and interreligious and intercultural dialogue, pursued in particular through the preservation, custody and enhancement of its Cultural Heritage (manuscripts, printed works, artworks, etc.).

OUR MISSION

MORE THAN 400 YEARS SPENT PURSUING A TASK THAT IS STILL RELEVANT

OUR MISSION

“Promoting the love of the True and Beautiful for the good of the people, the Church and society.” The words of the Archbishop of Milan, who is the Patron of the Ambrosiana and ultimately responsible for it, express the task of this ancient institution, embodied in the cultural and social context of our own time.

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PINACOTECA

The Pinacoteca Ambrosiana was established in April 1618, when Cardinal Federico Borromeo donated his collection of paintings…

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BIBLIOTECA

The Ambrosian Library, founded on 1607, was one of the earliest libraries to grant access to all who could read and write…

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ACCADEMIA

The purpose of the Accademia is to raise the Ambrosiana to the level of an Agora, a place devoted to fostering the dialogue…

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THE THREE SOULS OF THE AMBROSIANA

AMBROSIANA

A treasure chest containing a Library, an Art Gallery and an Academy: three complementary bodies aimed at promoting a love for literature, the arts, science and beauty.

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NOT JUST A LIBRARY, ART GALLERY AND ACADEMY: THE AMBROSIANA IS SO MUCH MORE...

THE OTHER FACES OF THE AMBROSIANA

The most magical and ancient places of Milan: the ancient Forum where Constantine, St. Ambrose, St.
Augustine and Theodosius walked, and the lower Church of Santo Sepolcro, built by the Crusaders… as
well as a colossal statue of St. Charles Borromeo on Lake Maggiore; a Museum-Home at the Sacro
Monte of Varese; a Foundation dedicated to the promotion of young artists: this is also the Ambrosiana!

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LODOVICO POGLIAGHI MUSEUM-HOME

Lodovico Pogliaghi (1857-1950) was one of the most significant Lombard artists to live in the nineteenth and twentieth centuries.

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SAN SEPOLCRO

The church of San Sepolcro was founded in 1030, when a Milanese moneyer named Rozzone built a church on the ancient Roman forum.

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THE COLOSSUS OF SAINT CHARLES IN ARONA

The Colossus of Saint Charles in Arona, which popular tradition has affectionately dubbed San Carlone, was created in the seventeenth century…

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MARCO MANTOVANI FOUNDATION

The Marco Mantovani Foundation seeks to preserve and enhance the works of the sculptor Marco Mantovani, as evidence of the life of an artist dedicated to sculpture and art.

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ROMAN FORUM

Between 1990 and 1992, archaeological excavations conducted underneath the ancient cellars of the Ambrosiana brought to light a portion of the pavement of the ancient Roman forum.

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THE COLLEGE OF FELLOWS

PRIESTS DEVOTED TO STUDY, RESEARCH AND RECEPTION

THE COLLEGE OF FELLOWS

The brilliant intuition of Federico Borromeo – offering the Milanese a place dedicated to the growth of the person in the love of truth and the experience of beauty, drew from the start on the work of valid and enthusiastic collaborators. This led to the foundation of the Collegio dei Dottori (College of Fellows). Since 1607 it has guided the development of the Ambrosiana and preserved its existence and its inspirational values, giving a face, mind and heart to a place intended for an encounter between cultures and the people who embody them.

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HOW THE AMBROSIANA WORKS

ADMINISTRATIVE ORGANS

Federico Borromeo’s intuition underlies the division of tasks between the two governing bodies of the Ambrosiana: the cultural role of the College of Fellows is supported by the Congregation of Conservators, appointed to ensure the stability of its holdings and the Ambrosiana’s administrative life.

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ADMINISTRATIVE ORGANS

WHAT’S ON

EUROPEAN MUSEUM NIGHT 2025 - SPECIAL EVENING OPENING

Pinacoteca

EUROPEAN MUSEUM NIGHT 2025 - SPECIAL EVENING OPENING

From 18.00 to 19.30 entrance to the Pinacoteca and Crypt at the special price of €3.00

17/05/2025-17/05/2025
ART IN RESPECT - A DIALOGUE

Ambrosiana

ART IN RESPECT - A DIALOGUE

From May 15 to 27, the Pinacoteca Ambrosiana in Milan hosts Art in Respect – A dialogue, a solo exhibition by artist and couturier Filippo Sorcinelli.

15/05/2025-27/05/2025
Exhibition
MOTHER'S DAY

Ambrosiana

MOTHER'S DAY

To celebrate Mother's Day, on Sunday 11 May the Pinacoteca Ambrosiana is offering free admission to all mothers accompanied by their children.

11/05/2025-11/05/2025
MOTHER'S DAY CONCERT

Pinacoteca

MOTHER'S DAY CONCERT

11/05/2025-11/05/2025
Natura morta<br>Jago and Caravaggio: two views on the transience of life

Pinacoteca

JUBILEE 2025 – XVII CENTENARY OF THE COUNCIL OF NICAEA

Pinacoteca

ONLINE COLLECTION

(158 online artworks)

The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
The Blessed Soul, Anonimo lombardo (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
Napoleon Bonaparte’s gloves, NA
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
Mary Magdalene Penitent, Guido Reni (1575-1642)
Burse, Artista dell’Italia centrale
Maternity, Mosè Bianchi (1840-1904)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
llias picta, NA
Laocoon (copy of the Vatican original), Leone Leoni
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
The Kiss, Francesco Hayez (1791-1882)
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Orrery, Sconosciuto
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
Susanna at her Bath, Carlo Francesco Nuvolone (1609-1661)
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
The Adoration of the Magi, Pier Francesco Mazzucchelli also known as Morazzone (1571-1626)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
Nautilus shell, Sconosciuto
The Damned Soul, Anonimo lombardo (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
Mary Magdalene, Tiziano Vecellio (1480-1576)
The Adoration of the Magi, Andrea Schiavone (1510-1563)
The Ambrosian Virgil of Francesco Petrarca, NA
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
Clock with astrolabe, Sconosciuto
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
Still Life with Fruit, Isaac Soreau (1604-1638)
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
Figured casket, Scultore lombardo
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
Latin astrolabe, Anonymous
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
De divina proportione, Luca Pacioli (1445 circa – 1517)
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
Original Sin, Jan II Brueghel il Giovane (1601-1678)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
Armillary sphere, NA
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
Portico in Ruins, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
The School of Athens, Raffaello Sanzio (1483-1520)
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
Flowers and Roses, Gaetano Previati (1852-1920)
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
Still Life with Fruit, Isaac Soreau (1604-1638)
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
Naturalis Historia, Plinio il Vecchio (23-79 dC)
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
Allegorical Female Figure, Giovanni Serodine (1600-1631)
Dantesque window, Giuseppe Bertini (1825-1898)
Daggers with sheath (eared sfondagiaco dagger), Milanese Gunsmiths
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
Mercury and Argus, Anonimo genovese (XVII secolo)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
Self Portrait, Bertel Thorvaldsen (1770-1844)
Seascape, Paul Bril (1554-1626)
Noctes Atticae, Aulo Gellio
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
The Holy Family, Carlo Francesco Nuvolone (1609-1661)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
Self Portrait, Antonio Canova (1757-1822)
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
Adoration of the Magi, Tiziano Vecellio (1480-1576)
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
Kids and Lambs, Francesco Londonio (1723-1783)
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
Man in Armour, Tiziano Vecellio (1480-1576)
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
Saint John the Baptist, Gian Giacomo Caprotti
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
Locked out of school, Emilio Longoni (1859-1932)
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
Pietà (copy from Michelangelo), Leone Leoni
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
Portrait of a Musician, Leonardo da Vinci (1452-1519)
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
Male portrait, Hans Muelich (1516-1573)
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
Plato, Giovanni Antonio Piatti (1447-1480)
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
Christ Resurrected, Marco Basaiti (1470-1530)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
Washerwomen at the Canal, Emilio Gola (1851-1923)
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)