Ambrosiana

Crocifissione (dettaglio) dal Ms E 18 inf., Messale Ambrosiano miniato da Salomone de’Grassi e collaboratori
Fine sec. XIV

MANUSCRIPTS ILLUMINATED IN ITALY FROM THE AMBROSIANA COLLECTIONS
The 14th century

The exhibition, set up in the displaycases of rooms 2 and 3 of the Pinacoteca from September 8 to November 15, 2022, presents a selection of manuscripts decorated in the fourteenth century in Italy from the collections of the Ambrosiana Library, some of which attributed to renowned illuminators, such as the Bolognese Niccolò di Giacomo and the Lombard Anovelo da Imbonate.

The exhibition was born following the publication of the volume by Milvia Bollati and Marco Petoletti, Manoscritti miniati in Italia della Biblioteca Ambrosiana (fondo inferior) (Italian illuminated manuscripts of the Ambrosiana Library).

Among the manuscripts bearing works of Latin classics are the Tragedies of Seneca (C 96 inf.) illuminated by Niccolò di Giacomo da Bologna around 1385 with scenes showing the contents of the Tragedies, and the extraordinary Solinus (C 246 inf.), a unique volume in the panorama of the transmission of this compendium of mirabilia for the exceptional complexity and quality of its iconographic apparatus, with the representation of the monsters described by Solinus.
The ms. E 24 inf. contains the Encyclopaedia by Pliny the Elder and is signed by another illuminator, Pietro da Pavia, an Augustinian friar. The artist portrays himself at work in the capital letter of book XXXV, dedicated to ancient art, and dates his enterprise to 1389.

The series of fourteenth-century liturgical manuscripts is also prestigious: among the volumes on show there are, for example, the Missal of Roberto Visconti, archpriest of the Milan Cathedral. In his will of 1327 (C 170 inf.) he recalled among his assets this volume, which at the time was still being copied by Giovanni da Legnano. Another precious Ambrosian Missal (E 18 inf.), was instead illuminated by Salomone de ‘Grassi and collaborators at the end of the fourteenth century. Finally, there is also a Roman missal (G 300 inf.), probably made for an Augustinian community and decorated by Anovelo da Imbonate. Of the same author, only two other illuminated volumes for the cathedral of S. Tecla are known at the present stage of research. A special mention deserves the liber capituli of the Lombard Cistercian monastery of Morimondo, Martyrology and Rule of s. Benedict (H 186 inf.). It dates back to the mid-fourteenth century and is important also for the obituary additions to the martyrology, reporting the death of the main abbots.

Finally, there are masucripts which, although lacking an iconic decoration, feature a system of gold and ink filigrees of exceptional visual impact and great refinement: the important collection of music treatises, from Guido Aretino to Marchetto Padovano (D 5 inf .), perhaps destined for the Angevin court of Naples, and Boethius, De consolatione philosophiae (D 40 inf.), copied and illuminated in northern Italy in 1400 and later owned by Tommaso Tebaldi of Bologna, an important of fifteenth century Milan.

The exhibition is designed to let visitors appreciate the beauty of these treasures and discover that “mine of stories” that is hidden in every medieval manuscript.
The exhibition is dedicated to the memory of Renata Cipriani, a distinguished scholar of art history, who has devoted careful attention to the almost complete examination of the Latin codices of the Ambrosiana with a keen eye on decoration.

WHAT’S ON

Reading room: summer closure

Biblioteca

Reading room: summer closure

Reading room closed from July 21 to August 31 included

08/07/2025
NEWS
A NEW LAYOUT FOR THE FLEMISH MASTERS ROOM

Pinacoteca

Natura morta<br>Jago and Caravaggio: two views on the transience of life

Pinacoteca

ONLINE COLLECTION

(158 online artworks)

Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
Flowers and Roses, Gaetano Previati (1852-1920)
Locked out of school, Emilio Longoni (1859-1932)
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
The Adoration of the Magi, Pier Francesco Mazzucchelli also known as Morazzone (1571-1626)
Armillary sphere, NA
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
Daggers with sheath (eared sfondagiaco dagger), Milanese Gunsmiths
The Kiss, Francesco Hayez (1791-1882)
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
Orrery, Sconosciuto
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
The Blessed Soul, Anonimo lombardo (XVII secolo)
Seascape, Paul Bril (1554-1626)
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
Washerwomen at the Canal, Emilio Gola (1851-1923)
Burse, Artista dell’Italia centrale
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
Portrait of a Musician, Leonardo da Vinci (1452-1519)
Portico in Ruins, Giovanni Migliara (1785-1837)
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
Man in Armour, Tiziano Vecellio (1480-1576)
Napoleon Bonaparte’s gloves, NA
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
De divina proportione, Luca Pacioli (1445 circa – 1517)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
Saint John the Baptist, Gian Giacomo Caprotti
Latin astrolabe, Anonymous
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
Maternity, Mosè Bianchi (1840-1904)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
Original Sin, Jan II Brueghel il Giovane (1601-1678)
The Damned Soul, Anonimo lombardo (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
Mary Magdalene, Tiziano Vecellio (1480-1576)
Noctes Atticae, Aulo Gellio
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
Susanna at her Bath, Carlo Francesco Nuvolone (1609-1661)
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
Naturalis Historia, Plinio il Vecchio (23-79 dC)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Self Portrait, Bertel Thorvaldsen (1770-1844)
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
The Holy Family, Carlo Francesco Nuvolone (1609-1661)
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
Still Life with Fruit, Isaac Soreau (1604-1638)
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
Figured casket, Scultore lombardo
Nautilus shell, Sconosciuto
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
Self Portrait, Antonio Canova (1757-1822)
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
The School of Athens, Raffaello Sanzio (1483-1520)
Kids and Lambs, Francesco Londonio (1723-1783)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
The Ambrosian Virgil of Francesco Petrarca, NA
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
Plato, Giovanni Antonio Piatti (1447-1480)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
Male portrait, Hans Muelich (1516-1573)
Mary Magdalene Penitent, Guido Reni (1575-1642)
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
Pietà (copy from Michelangelo), Leone Leoni
Adoration of the Magi, Tiziano Vecellio (1480-1576)
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
The Adoration of the Magi, Andrea Schiavone (1510-1563)
Still Life with Fruit, Isaac Soreau (1604-1638)
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
Laocoon (copy of the Vatican original), Leone Leoni
Dantesque window, Giuseppe Bertini (1825-1898)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
llias picta, NA
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
Mercury and Argus, Anonimo genovese (XVII secolo)
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
Clock with astrolabe, Sconosciuto
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
Allegorical Female Figure, Giovanni Serodine (1600-1631)
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
Christ Resurrected, Marco Basaiti (1470-1530)