Until June 24, the Pinacoteca Ambrosiana in Milan hosts Art in Respect – A dialogue, a solo exhibition by artist and couturier Filippo Sorcinelli. An exhibition that is also a multisensorial and spiritual journey, where fashion, painting and perfumes blend together in a profound dialogue with the works of Museum’s collections, from Leonardo da Vinci, to Raphael, to Caravaggio.
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Everyday 10.00-18.00, closed on Wednesdays
Dal 15/05/2025 al 24/06/2025
Full: € 17,00; Reduced 1: € 10,00; Reduced 2: € 13,00
From May 8 to November 4, in the Room 1 of the Pinacoteca, it will be possible to admire the exhibition “Natura morta” by sculptor Jago, curated by Maria Teresa Benedetti.
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10.00-18.00
Dal 08/05/2025 al 04/11/2025
Intero: € 17,00; Ridotto 1: € 10,00; Ridotto 2: € 13,00
From December 19, 2024 to June 17, 2025 visitors can admire the exhibition “Jubilee 2025 – XVII Centenary of the Council of Nicaea” curated by Mons. Marco Navoni and Mons. Francesco Braschi in rooms 2 and 3 of the Pinacoteca.
The exhibition is divided into two closely connected sections in which works from the Ambrosiana Library and not normally visible to the public are displayed.
PINACOTECA
10.00-18.00
Dal 19/12/2024 al 19/06/2025
Intero: € 17,00; Ridotto 1: € 10,00; Ridotto 2: € 13,00
The most magical and ancient places of Milan: the ancient Forum where Constantine, St. Ambrose, St. Augustine and Theodosius walked, and the lower Church of Santo Sepolcro, built by the Crusaders… as well as a colossal statue of St. Charles Borromeo on Lake Maggiore; a Museum-Home at the Sacro Monte of Varese; a Foundation dedicated to the promotion of young artists: this is also the Ambrosiana!
Discover the other institutions of the Ambrosiana
Between 1990 and 1992, archaeological excavations conducted underneath the ancient cellars of the Ambrosiana brought to light a portion of the pavement of the ancient Roman forum, the heart of Mediolanum's political, economic and religious life.
The Marco Mantovani Foundation seeks to preserve and enhance the works of the sculptor Marco Mantovani, as evidence of the life of an artist dedicated to sculpture and art.
The church of San Sepolcro was founded in 1030, when a Milanese moneyer named Rozzone built a church on the ancient Roman forum. Archbishop Ariberto d’Intimiano solemnly consecrated it to the Holy Trinity.
The Colossus of Saint Charles in Arona, which popular tradition has affectionately dubbed San Carlone, was created in the seventeenth century at the behest of Federico Borromeo, archbishop of Milan and founder of the Biblioteca Ambrosiana.
Lodovico Pogliaghi was one of the most significant Lombard artists to live in the nineteenth and twentieth centuries.
