Ambrosiana

I HAVE MORE THAN ONE HOUR

90 minutes

For all Age

If you have more than one hour, you can fully enjoy the wonders of the museum by dwelling on whatever fascinates or intrigues you. Be guided by your instinct without immediately searching for the museum’s masterpieces. The Ambrosiana is wonderful both by the variety of its collections, and the beauty of its rooms!

Visita

For this reason, in addition to visiting the first rooms with Renaissance masterpieces from the collection of Cardinal Borromeo, we advise you not to miss the gallery with the Renaissance sculptures by Bambaia or the gallery with the Dante-themed stained glass window, and the refined paintings by the Flemish school.

Galleria delle Sculture rinascimentali del Bambaia e la sala della vetrata dantesca

Then, once you cross the threshold of the Room of the Medusa (Room 8), immerse yourself in the eclectic mosaic and marble decorations of the Galbiati wing. Wander among the greatest names of Italian art from the 16th to the early 20th century, with some unmissable curiosities: armillary spheres, collections of coins and the display case containing a lock of hair by Lucrezia Borgia, which enchanted Lord Byron and D’Annunzio.

Sala della Medusa

“And Leonardo da Vinci?” Don’t worry! You’ll soon find his masterpieces!” The master and the artists of his school await you in the Aula Leonardi and in the old reading room of the Library, the Sala Federiciana, as the grand finale of your visit!

Aula Leonardi

I HAVE MORE THAN ONE HOUR
I HAVE MORE THAN ONE HOUR I HAVE MORE THAN ONE HOUR I HAVE MORE THAN ONE HOUR I HAVE MORE THAN ONE HOUR

WHAT’S ON

SPECIAL REDUCED TICKETS € 3 FOR STUDENTS

Ambrosiana

GRANDPARENTS'DAY

Ambrosiana

GRANDPARENTS'DAY

Sunday October 5 free admission to the Pinacoteca and the Crypt of San Sepolcro for grandparents with their grandchildren.

05/10/2025-05/10/2025
ARE YOU IN LOVE? NO I'M IN MILANO

Ambrosiana

ARE YOU IN LOVE? NO I'M IN MILANO

19/09/2025-14/10/2025
Exhibition
Natura morta<br>Jago and Caravaggio: two views on the transience of life

Pinacoteca

The other faces of the Ambrosiana

The most magical and ancient places of Milan: the ancient Forum where Constantine, St. Ambrose, St. Augustine and Theodosius walked, and the lower Church of Santo Sepolcro, built by the Crusaders… as well as a colossal statue of St. Charles Borromeo on Lake Maggiore; a Museum-Home at the Sacro Monte of Varese; a Foundation dedicated to the promotion of young artists: this is also the Ambrosiana!
Discover the other institutions of the Ambrosiana

LODOVICO POGLIAGHI MUSEUM-HOME

THE OTHER INSTITUTIONS

LODOVICO POGLIAGHI MUSEUM-HOME

Lodovico Pogliaghi was one of the most significant Lombard artists to live in the nineteenth and twentieth centuries.

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THE COLOSSUS OF SAINT CHARLES IN ARONA

THE OTHER INSTITUTIONS

THE COLOSSUS OF SAINT CHARLES IN ARONA

The Colossus of Saint Charles in Arona, which popular tradition has affectionately dubbed San Carlone, was created in the seventeenth century at the behest of Federico Borromeo, archbishop of Milan and founder of the Biblioteca Ambrosiana.

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MARCO MANTOVANI FOUNDATION

THE OTHER INSTITUTIONS

MARCO MANTOVANI FOUNDATION

The Marco Mantovani Foundation seeks to preserve and enhance the works of the sculptor Marco Mantovani, as evidence of the life of an artist dedicated to sculpture and art.

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ROMAN FORUM

THE OTHER INSTITUTIONS

ROMAN FORUM

Between 1990 and 1992, archaeological excavations conducted underneath the ancient cellars of the Ambrosiana brought to light a portion of the pavement of the ancient Roman forum, the heart of Mediolanum's political, economic and religious life.

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CHURCH OF SAN SEPOLCRO

THE OTHER INSTITUTIONS

CHURCH OF SAN SEPOLCRO

The church of San Sepolcro was founded in 1030, when a Milanese moneyer named Rozzone built a church on the ancient Roman forum. Archbishop Ariberto d’Intimiano solemnly consecrated it to the Holy Trinity.

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ONLINE COLLECTION

(158 online artworks)

The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
Clock with astrolabe, Sconosciuto
Mary Magdalene, Tiziano Vecellio (1480-1576)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
Christ Resurrected, Marco Basaiti (1470-1530)
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
The Holy Family, Carlo Francesco Nuvolone (1609-1661)
Napoleon Bonaparte’s gloves, NA
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
Self Portrait, Antonio Canova (1757-1822)
Daggers with sheath (eared sfondagiaco dagger), Milanese Gunsmiths
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Dantesque window, Giuseppe Bertini (1825-1898)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
Laocoon (copy of the Vatican original), Leone Leoni
Original Sin, Jan II Brueghel il Giovane (1601-1678)
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
Saint John the Baptist, Gian Giacomo Caprotti
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
Naturalis Historia, Plinio il Vecchio (23-79 dC)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
Figured casket, Scultore lombardo
llias picta, NA
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
The Blessed Soul, Anonimo lombardo (XVII secolo)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
Orrery, Sconosciuto
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
Adoration of the Magi, Tiziano Vecellio (1480-1576)
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
Latin astrolabe, Anonymous
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Mary Magdalene Penitent, Guido Reni (1575-1642)
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
The Adoration of the Magi, Pier Francesco Mazzucchelli also known as Morazzone (1571-1626)
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
Still Life with Fruit, Isaac Soreau (1604-1638)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
Susanna at her Bath, Carlo Francesco Nuvolone (1609-1661)
Man in Armour, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
Burse, Artista dell’Italia centrale
Locked out of school, Emilio Longoni (1859-1932)
Allegorical Female Figure, Giovanni Serodine (1600-1631)
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
The Ambrosian Virgil of Francesco Petrarca, NA
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Seascape, Paul Bril (1554-1626)
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
Plato, Giovanni Antonio Piatti (1447-1480)
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
Nautilus shell, Sconosciuto
De divina proportione, Luca Pacioli (1445 circa – 1517)
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
Portico in Ruins, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
Flowers and Roses, Gaetano Previati (1852-1920)
Washerwomen at the Canal, Emilio Gola (1851-1923)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
Still Life with Fruit, Isaac Soreau (1604-1638)
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
The Adoration of the Magi, Andrea Schiavone (1510-1563)
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
The Damned Soul, Anonimo lombardo (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
Self Portrait, Bertel Thorvaldsen (1770-1844)
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
Pietà (copy from Michelangelo), Leone Leoni
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)
The Kiss, Francesco Hayez (1791-1882)
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
Noctes Atticae, Aulo Gellio
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Armillary sphere, NA
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
Kids and Lambs, Francesco Londonio (1723-1783)
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
Maternity, Mosè Bianchi (1840-1904)
Portrait of a Musician, Leonardo da Vinci (1452-1519)
The School of Athens, Raffaello Sanzio (1483-1520)
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
Male portrait, Hans Muelich (1516-1573)
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)
Mercury and Argus, Anonimo genovese (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)