Ambrosiana

Zoroaster and Ptolemy, detail from Raphael’s Cardtoon for the School of Athens

HUMANISTIC, ETHICAL AND SCIENTIFIC VIEWS

This year, the Classis Asiatica of the Ambrosiana Academy – continuing the program of studies and research on the Far East cultures, which in the previous Dies Academicus had dealt with “Forms of diversity in man and nature” – developed a theme divided into four sessions on the plurality of philosophical, literary, artistic and social conceptions in China, Korea, Japan, and India. During the Dies, three new members of the Classis Asiatica will be proclaimed: the new Ambrosian scholars Elisa Giunipero, Matilde Mastrangelo, and Cinzia Pieruccini.

Furthermore, it will also be presented volume 10-11 (2021) of the Asian Ambrosiana series. The introductory Lectio by the Ambrosian academic Giuseppe Veltri, Professor at the University of Hamburg, will introduce the concept of philosophia perennis dear to Marsilio Ficino and Nicola Cusano, to then examine the variety of rites and their developments. Finally, the Lectio will concern the diversity of religions and their various types of humanism.

In Session A, Professor Zhao Tingyang of the Chinese Academy of Social Sciences will propose a reflection on the system, already Confucian, of a possible global and social order based on 天下 (All under Heaven: The Tianxia System for a Possible World Order), for a relationship between people based on common advantage. The Ambrosian scholar Elisa Giunipero, Professor of the Catholic University of the Sacro Cuore in Milan, will contribute with a complementary study on humanism from the perspective of “Haevenly Studies”.

Session B, thanks to the reports of the Ambrosian academic Matilde Mastrangelo, Professor at the University of Rome “La Sapienza”, and of Professor Cristian Pallone of the University of Bergamo, will consider some approaches to forms of humanism, witnessed in the Japanese literary field in the 18th-19th century by Mori Ōgai in his Diaries (Doitsu sanbusaku and Doitsu nikki), by Hiraga Gennai, Ueda Akinari and Santō Kyōden.

In Session C, the Ambrosian scholar Cinzia Pieruccini will illustrate the group of plaques from the Virabhadra collection, dating back to the 18th-19th century and donated to the Ambrosiana by Giuseppe and Paola Berger. In addition, the scholar will explain the origin of Virabhadra’s myth, attested in the Sanskrit sources and disseminated in the Deccan. The aspects of the idea of man, diverging from the doctrine of bráhman- / ātmán, are the subject of the report by the Ambrosian scholar Daniele Maggi.

The academic day will conclude with a report by Professor Vincenza D’Urso of the “Ca’ Foscari” University of Venice, appointed in the Classis Asiatica as Academic Assistant for Korean Studies. Her speech is dedicated to “Images of poets reflected in the Maninbo di Ko Un”, a well- known poet who is also an Ambrosian scholar.

The Acts will be published by the Class in 2023.

<p>Zoroaster and Ptolemy, detail from Raphael’s <em> Cartoon for the School of Athens </em></p>

Zoroaster and Ptolemy, detail from Raphael’s Cartoon for the School of Athens

WHAT’S ON

ROOM OF THE FLEMISH MASTERS CLOSED TO THE PUBLIC (ROOM 7)

Pinacoteca

ROOM OF THE FLEMISH MASTERS CLOSED TO THE PUBLIC (ROOM 7)

Room closed to the public for renovation from June 3 to 12

03/06/2025-12/06/2025
JUNE 1: SPECIAL EVENING OPENING

Ambrosiana

JUNE 1: SPECIAL EVENING OPENING

From 18.00 to 19.30 (last admission) entrance to the Art Gallery and Crypt at the special price of €3.00

01/06/2025-01/06/2025
ART IN RESPECT - A DIALOGUE

Ambrosiana

ART IN RESPECT - A DIALOGUE

Until June 24, the Pinacoteca Ambrosiana in Milan hosts Art in Respect – A dialogue, a solo exhibition by artist and couturier Filippo Sorcinelli.

15/05/2025-24/06/2025
Exhibition
Natura morta<br>Jago and Caravaggio: two views on the transience of life

Pinacoteca

JUBILEE 2025 – XVII CENTENARY OF THE COUNCIL OF NICAEA

Pinacoteca

ONLINE COLLECTION

(158 online artworks)

Still Life with Fruit, Isaac Soreau (1604-1638)
The Martyrdom of Saint Peter of Verona, Alessandro Bonvicino detto Moretto (1490-1554)
The Holy Family with Saints Anne and John, Bernardino Luini (1480-1532)
Portrait of Saint Charles Borromeo, Giovanni Ambrogio Figino (1548-1608)
Basket of fruit, Michelangelo Merisi da Caravaggio (1571-1610)
The Magdalen and the Angel, Giulio Cesare Procaccini (1574-1625)
The Holy Family with Sain John, Tobias and the Archangel Raphael, Bonifacio Veronese (1487-1553)
Portrait of a Young Man, Vittore Ghislandi detto Frà Galgario (1655-1743)
Mary Magdalene Penitent, Guido Reni (1575-1642)
Libro d’Ore Borromeo, Cristoforo de Predis (1440-1486)
Octagonal casket, Bottega degli Embriachi (XIV-XV secolo)
Portrait of a Gentleman (Michel de l’Hospital), Giovan Battista Moroni (1520-1578)
Burse, Artista dell’Italia centrale
The Madonna and Child with Saint John the Evangelist and Saint John the Baptist, Marco d’Oggiono (1470-1525)
Male portrait, Hans Muelich (1516-1573)
Seascape, Paul Bril (1554-1626)
The Holy Family with Saint John the Baptist, Ubertini Francesco detto Bachiacca (1494-1557)
Atlantic Codex (Codex Atlanticus), f. 5 recto, Leonardo da Vinci (1452-1519)
Still Life with Fruit, Isaac Soreau (1604-1638)
Portrait of Emilia Morosini Zeltner, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 455 recto, Leonardo da Vinci (1452-1519)
The Madonna Enthroned with Saint Ambrose and Saint Michael, Bartolomeo Suardi detto il Bramantino (1465-1530)
The Presentation of Christ in the Temple, Giandomenico Tiepolo (1727-1804)
Display case with the hair of Lucrezia Borgia, Alfredo Ravasco
The Ambrosian Virgil of Francesco Petrarca, NA
Sacra Conversazione, Ambrogio da Fossano detto il Bergognone (1453-1523)
Cup with Turbo marmoratus shell, Christoph Lencker (1556 circa-1613)
Ceremonial saddle and stirrups. Detail of the wooden horse of Troy, Arte armaiola milanese
Adam and Eve in the Garden of Eden, Jan II Brueghel il Giovane (1601-1678)
The Adoration, Bartolomeo Suardi detto il Bramantino (1465-1530)
Man in Armour, Tiziano Vecellio (1480-1576)
Atlantic Codex (Codex Atlanticus), f. 12 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 3 recto, Leonardo da Vinci (1452-1519)
Figured casket, Scultore lombardo
Self Portrait, Bertel Thorvaldsen (1770-1844)
The Placing of Christ in the Sepulchre, Tiziano Vecellio (1480-1576)
Portrait of a Musician, Leonardo da Vinci (1452-1519)
llias picta, NA
Atlantic Codex (Codex Atlanticus) f. 710 recto, Leonardo da Vinci (1452-1519)
Laocoon (copy of the Vatican original), Leone Leoni
Atlantic Codex (Codex Atlanticus), f. 909 verso, Leonardo da Vinci (1452-1519)
Christ Resurrected, Marco Basaiti (1470-1530)
Still Life with Musical Instruments, Evaristo Baschenis (1617-1677)
The Adoration of the Magi, Pier Francesco Mazzucchelli also known as Morazzone (1571-1626)
Atlantic Codex (Codex Atlanticus), f. 116 recto, Leonardo da Vinci (1452-1519)
Pietà (copy from Michelangelo), Leone Leoni
The Madonna Nursing the Child by the Fountain, Bernaert van Orley (1488-1541)
Nautilus shell, Sconosciuto
The Adoration of the Magi, Andrea Schiavone (1510-1563)
Atlantic Codex (Codex Atlanticus), f. 307 verso, Leonardo da Vinci (1452-1519)
The Damned Soul, Anonimo lombardo (XVII secolo)
De divina proportione, Luca Pacioli (1445 circa – 1517)
Portrait of Alessandro Negroni Prati Morosini, Francesco Hayez (1791-1882)
Atlantic Codex (Codex Atlanticus), f. 29 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 117 recto, Leonardo da Vinci (1452-1519)
Latin astrolabe, Anonymous
Napoleon Bonaparte’s gloves, NA
Atlantic Codex (Codex Atlanticus), f. 845 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 33 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 21 recto, Leonardo da Vinci (1452-1519)
The Blessed Soul, Anonimo lombardo (XVII secolo)
Portrait of Giovanni Battista Morosini, Francesco Hayez (1791-1882)
Daggers with sheath (eared sfondagiaco dagger), Milanese Gunsmiths
Atlantic Codex (Codex Atlanticus), f. 719 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 844 recto, Leonardo da Vinci (1452-1519)
Lesenes and trophies, Agostino Busti detto il Bambaia (1483-1548)
Plato, Giovanni Antonio Piatti (1447-1480)
The Arco della Pace in Milan, Giovanni Migliara (1785-1837)
Portrait of a Young Man, Giorgione (Giorgio da Castelfranco copia da) (1478 circa-1510)
The Adoration with Saint Roch, Gian Pietro Rizzoli detto Giampietrino (1508-1549)
Atlantic Codex (Codex Atlanticus), f. 860 recto, Leonardo da Vinci (1452-1519)
Portrait of a Pilgrim, Monogrammista HL (XVI secolo)
The Martyrdom of Saint Sebastian, Antonio Badile (1518-1560)
Atlantic Codex (Codex Atlanticus), f. 149 recto, Leonardo da Vinci (1452-1519)
Jael and Sisera, Giuseppe Vermiglio (1585-1635)
Washerwomen at the Canal, Emilio Gola (1851-1923)
The Annunciation, Gerolamo Mazzola Bedoli (1500-1569)
The Last Supper, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Mary Magdalene, Tiziano Vecellio (1480-1576)
Naturalis Historia, Plinio il Vecchio (23-79 dC)
Portrait of Napoleon King of Italy, Andrea Appiani (1754-1817)
Orrery, Sconosciuto
The Wedding of Peleus and Thetis, Ambito di Francesco Albani (1578-1660)
Diana the Huntress, Joachim Friess (XVI-XVII secolo)
The Rest on the Flight into Egypt, Jacopo da Ponte detto il Bassano (1510-1592)
Allegory of Fire, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Saint Michael the Archangel, Giulio Cesare Procaccini (1574-1625)
Atlantic Codex (Codex Atlanticus), f. 72 recto, Leonardo da Vinci (1452-1519)
Saint John the Baptist, Gian Giacomo Caprotti
Winter Landscape with Skaters, Hendrick Avercamp (1585-1634)
Flowers and Roses, Gaetano Previati (1852-1920)
The infant Jesus with a Lamb, Bernardino Luini (1480-1532)
Landscape with Saint John the Baptist, Paul Bril (1554-1626)
The Virgin of the Rocks, Andrea Bianchi detto il Vespino (attivo 1612-1640)
Original Sin, Jan II Brueghel il Giovane (1601-1678)
Atlantic Codex (Codex Atlanticus), f. 272 verso, Leonardo da Vinci (1452-1519)
The Adoration of the Magi, Maestro del Santo Sangue (XVI secolo)
Maternity, Mosè Bianchi (1840-1904)
The School of Athens, Raffaello Sanzio (1483-1520)
Atlantic Codex (Codex Atlanticus) f. 851 recto, Leonardo da Vinci (1452-1519)
Christ on the Way to Calvary, Giovanni Busi detto Cariani (1480-1547)
Clock with astrolabe, Sconosciuto
Susanna at her Bath, Carlo Francesco Nuvolone (1609-1661)
Apse of San Satiro and View of the Duomo, Giovanni Migliara (1785-1837)
Moses and the Brazen Serpent, Cesare Ligari (1716-1770)
Portrait of Giuseppina Negroni Prati Morosini, Francesco Hayez (1791-1882)
Kids and Lambs, Francesco Londonio (1723-1783)
Atlantic Codex (Codex Atlanticus), f. 1058 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 4 recto, Leonardo da Vinci (1452-1519)
A Soul in Purgatory, Anonimo lombardo (XVII secolo)
Atlantic Codex (Codex Atlanticus), f. 49 recto, Leonardo da Vinci (1452-1519)
The Holy Family, Carlo Francesco Nuvolone (1609-1661)
Allegory of Water, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Dantesque window, Giuseppe Bertini (1825-1898)
Vase of Flowers with Jewel, Coins and Shells, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Portrait of a Young Girl with a Dove, Natale Schiavoni (1777-1858)
Atlantic Codex (Codex Atlanticus), f. 145 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 858 recto, Leonardo da Vinci (1452-1519)
Portrait of a Lady, Giovanni Ambrogio De Predis (1455-1508)
Allegorical Female Figure, Giovanni Serodine (1600-1631)
Portrait of Bernardino da Lesmo, Bartolomeo Veneto (1502-1530)
The Assumption of the Virgin, Giovanni Agostino da Lodi (1467-1524 circa)
Crib, Federico Barocci o Baroccio detto il Fiori (1535-1612) (replica di)
Codice Atlantico (Codex Atlanticus), f. 1 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 26 verso, Leonardo da Vinci (1452-1519)
The Dormition of the Virgin, Anonimo ferrarese (XV secolo)
Locked out of school, Emilio Longoni (1859-1932)
Codice Atlantico (Codex Atlanticus), f. 104 recto, Leonardo da Vinci (1452-1519)
The Madonna of the Pavilion, Sandro Botticelli (Alessandro di Mariano Filipepi detto) (1444 o 1445-1510)
Noctes Atticae, Aulo Gellio
The Triumph of David, Lucas Hugenszoon detto Luca di Leida (1494-1533)
Self Portrait, Antonio Canova (1757-1822)
Atlantic Codex (Codex Atlanticus), f. 1006 verso, Leonardo da Vinci (1452-1519)
Christ Crowned with Thorns, Bernardino Luini (1480-1532)
Judith and Holofernes, Giuseppe Vermiglio (1585-1635)
Head of Christ the Redeemer, Gian Giacomo Caprotti detto Salai (1480-1524)
Portrait of Paolo Morigia, Fede Galizia (1578-1630)
Atlantic Codex (Codex Atlanticus), f. 71 recto, Leonardo da Vinci (1452-1519)
Horse’s head (Copy from the equestrian monument to Marcus Aurelius on the Capitol in Rome), NA
The Madonna and Child with a Worshipper, Bernardino Betti detto il Pinturicchio (1454-1513)
Atlantic Codex (Codex Atlanticus), f. 1069 recto, Leonardo da Vinci (1452-1519)
View of the Interior of the Duomo, Giovanni Migliara (1785-1837)
Atlantic Codex (Codex Atlanticus), f. 812 recto, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 663 recto, Leonardo da Vinci (1452-1519)
The Kiss, Francesco Hayez (1791-1882)
The Madonna and Child with Saint Peter and Saint Jerome, Cesare Magni (1511-1534)
Portrait of Manfredo Settala, Daniele Crespi (1600-1630) attribuito a
Adoration of the Magi, Tiziano Vecellio (1480-1576)
Mercury and Argus, Anonimo genovese (XVII secolo)
Mouse with Roses, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Armillary sphere, NA
The Presentation of Christ in the Temple, Pietro Antonio Magatti (1691-1767)
Atlantic Codex (Codex Atlanticus), f. 873 recto, Leonardo da Vinci (1452-1519)
Portico in Ruins, Giovanni Migliara (1785-1837)
Portrait of Peter Leopold of Habsburg-Lorraine (later Leopold II), Anton Raphael Mengs (1728-1779)
Flowers in a Vase, Jan Brueghel il Vecchio “Dei Velluti” (1568-1625)
Atlantic Codex (Codex Atlanticus) f. 199 verso, Leonardo da Vinci (1452-1519)
Atlantic Codex (Codex Atlanticus), f. 139 recto, Leonardo da Vinci (1452-1519)